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The
basic techniques for taking 3D's with a video camera are the same as for
using a camera (see Taking the Pictures with a Camera), just the recording
equipment is different.
Pick a standard starting point (I always start on the left), aim the camera at the subject, and then while filming, step to the right (in my case), keeping your eye on the subject. You must be careful not to run into anything or anybody, and you must be mindful if anybody gets in the field of view, as is often the case in busy museums, such as the Louvre.
The hard part comes when you get home. Plug your camera in near your computer, and connect the video out of your camera (this will vary from camera to camera) to your TV/Video card on the back of your computer (or other device if it is located elsewhere). If possible, use the S-Video connections, because the quality of the signal will be higher.
Launch the software that came with that TV/Video card, and select your video input source as appropriate (again this varies). Start playing your tape, and when you get near the desired sequence, start capturing the video to the hard drive of your computer. Keep in mind that you will likely need at least hundred megabytes free even for just a couple of short video sequences.
Once you have captured the file, you will need some special software, such as Adobe Premiere, or Ulead Video Studio. I am still looking for some good software that will simply let you grab images from AVI files. The above two are more designed for video production, and as such, are overkill.
Load the AVI file into your selected software, and then figure out how to grab the frames one by one as you slide the player button forward through your video. You should be able to grab two frames, which make up your left and right images. Once you have those, you can just load them individually into a "normal" image editor and place them side by side to view them. Make sure to put the right photo on the left, and vice versa, if you are viewing using the cross-eyed format. You may prefer, as I do, to create a new larger image with a black background, and paste each image onto that background so that you have a single picture for viewing.
This technique is new to me, and as I improve it, I will update this
site with the latest.
If you were able to take a long distance pan of a downtown of a city, a semi-static scene, with no foreground objects to stray into the fields of view, and if that pan were stable vertically, you could have a virtual 3D model of that downtown on your desktop.
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